Michelle Williams is preparing to take the stage in a fresh adaptation of Eugene O’Neill’s classic drama, “Anna Christie.” This production, helmed by her husband, director Thomas Kail, is poised to open at St. Ann’s Warehouse in Brooklyn. Williams, a celebrated actress known for her compelling portrayals of complex female characters, views this role as more than just a performance; it’s a profound exploration of autonomy and identity, resonating deeply in today’s world. The revival brings together a talented cast, including Brian d'Arcy James and Tom Sturridge, and features a creative team dedicated to honoring O'Neill's vision while bringing a contemporary sensibility to the production.
Michelle Williams Embraces a Challenging Role in “Anna Christie” Revival
Michelle Williams will star in a new production of Eugene O’Neill’s “Anna Christie,” with performances starting on November 25 and opening night on December 11 at St. Ann’s Warehouse in Brooklyn. Williams and director Thomas Kail, her husband, chose this project as a family undertaking, balancing their professional lives with raising their three children. Williams’s last stage appearance was in 2016, earning her a Tony nomination for “Blackbird.” The play, which debuted over a century ago, holds particular relevance for Williams, especially given current discussions surrounding women’s independence. She views the titular character, Anna, as a pragmatic, witty, and fiercely independent woman who insists on defining herself on her own terms. Anna's journey from a childhood of abandonment and hardship to seeking reconciliation with her father and finding love, only to confront the societal limitations imposed by men's perceptions of womanhood, forms the core of the drama. O’Neill’s award-winning play, though often overshadowed by his other works, is being re-examined for its surprisingly modern themes and feminist undertones.
Kail, who typically focuses on new works, expressed his deep appreciation for reviving a century-old play, noting the meaningful connection to theatrical history. The cast also includes Brian d’Arcy James as Chris Christopherson and Tom Sturridge as Mat Burke. James, known for his profound emotional depth, has meticulously studied the Swedish cadences required for O’Neill’s unique dialogue. Sturridge, preparing with similar intensity, has delved into O’Neill’s biographies and letters to understand the playwright’s intentions. The creative team includes long-time Kail collaborators, with set design by Christine Jones and Brett Banakis, costumes by Academy Award winner Paul Tazewell, sound design by Nevin Steinberg, lighting by Natasha Katz, special effects by Jeremy Chernick, and choreography by Steven Hoggett. Nicholas Britell, known for the “Succession” theme, composed the original score. Kail’s production will maintain the play’s historical period but will use evocative, non-literal physical staging to emphasize the language and performances. Kail, who wrote his college thesis on O’Neill, finds a poignant connection between the play’s themes of belonging and return and his own pilgrimage to O’Neill’s childhood home, the Monte Cristo Cottage.
This revival of “Anna Christie” prompts us to reflect on the enduring power of classic theater to speak to contemporary issues. Michelle Williams's commitment to portraying Anna's resilience and uncompromising self-definition highlights the continuous struggle for female autonomy. It reminds us that stories from the past can illuminate present-day challenges and inspire crucial conversations about identity, societal expectations, and the unwavering human spirit. The production’s dedication to both historical accuracy and modern relevance ensures that O’Neill’s powerful narrative will continue to resonate with audiences, offering a timely message about seeing and understanding individuals on their own terms, free from preconceived notions.